{"id":68,"date":"2018-01-03T06:32:23","date_gmt":"2018-01-03T06:32:23","guid":{"rendered":"http:\/\/www.roberthoodwriter.com\/?page_id=68"},"modified":"2022-12-12T23:13:46","modified_gmt":"2022-12-12T23:13:46","slug":"other-writings","status":"publish","type":"page","link":"https:\/\/www.roberthoodwriter.com\/?page_id=68","title":{"rendered":"Other Writings"},"content":{"rendered":"\n
New Stories, poetry, Articles etc. (from 2018 on)<\/strong><\/h5>\n\n\n\n

\u00a0<\/p>\n\n\n\n

<\/p>\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n

“Dangerous Specimens”<\/strong>
in Damnation Games<\/em>
edited by Alan Baxter
(Clan Destine Press, 2021)<\/p>\n\n\n\n

———————————————————————<\/p>\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

“The Ballad of the Monsters 2020”<\/strong>
a poem for the book Infectious Hope<\/em>,
edited by Silva Canton Rondoni
(IFWG Publishing Australia, 2020)<\/p>\n\n\n\n

————————————————————————<\/p>\n\n\n

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<\/p>\n\n\n\n

A five-minute English scene for
“The Great Buddha Arrival”<\/strong>\u2013
a Japanese film directed by Hiroto Yokokawa.<\/p>\n\n\n\n

For more information, click here<\/strong><\/a><\/p>\n\n\n\n

______________________________________________________<\/p>\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

“Bad Weather”
<\/strong>in Outback Horrors Down Under
<\/em>edited by Steve Dillon
(Things In the Well Publications, Sept. 2020)<\/p>\n\n\n\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/p>\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n

<\/strong><\/p>\n\n\n\n

“A Man, Totally<\/strong> Alone”<\/strong>
in The Mammoth Book of Halloween
<\/em>edited by Stephen Jones
(Skyhorse Publications, Sept. 2018)<\/p>\n\n\n\n

For more information, see here<\/a><\/p>\n\n\n\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/p>\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n

<\/strong><\/p>\n\n\n\n

“Introduction: When Monsters Rule the World”<\/strong>
in The Age of Monsters II: Reign of Monsters
<\/em>edited by N.X. Sharps and Alana Joli Abbott
(Outland Publications, USA, November 2018)<\/p>\n\n\n\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/p>\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n

<\/strong><\/p>\n\n\n\n

“Time and Tide”
<\/strong>in Cthulhu Deep Down Under, Volume 2
<\/em>edited by Steve Proposch, Christopher Sequeira, Bryce Stevens
(IFWG Publishing Australia, August 2018).
Introduction by Peter Rawlik. 214 pages.<\/p>\n\n\n\n

More information on the story, Time and Tide<\/em>,
and background to it can be found here<\/strong><\/a><\/p>\n\n\n\n

“Time and Tide” by Robert Hood returns us to a more overt Cthulhu Mythos tale, one that should be applauded by the author’s rather bold attempt to invoke the weird in a most unusual manner. We are told that the sense of smell is the most evocative of senses, but it is rarely used, and rarely used as effectively as Hood has here, to convey not only the preternatural, but a fundamental wrongness to the universe, an inversion of the natural order of things that has dire consequences to the residents of Mollymook.” – Peter Rawlik<\/p>\n\n\n\n

“…slick, well-crafted, and decidedly weird” (Lee Murray, see full review<\/a>)<\/p>\n\n\n\n

<\/h2>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

New Stories, poetry, Articles etc. (from 2018 on) \u00a0 “Dangerous Specimens”in Damnation Gamesedited by Alan Baxter(Clan Destine Press, 2021) ——————————————————————— “The Ballad of the Monsters 2020”a poem for the book Infectious Hope,edited by Silva Canton Rondoni(IFWG Publishing Australia, 2020) ———————————————————————— A five-minute English scene for “The Great Buddha Arrival”\u2013a Japanese film directed by Hiroto Yokokawa. … <\/p>\n

Continue reading “Other Writings”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=\/wp\/v2\/pages\/68"}],"collection":[{"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=68"}],"version-history":[{"count":38,"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":380,"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=\/wp\/v2\/pages\/68\/revisions\/380"}],"wp:attachment":[{"href":"https:\/\/www.roberthoodwriter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}